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The impact made Ghana gospel can be attributed to the fact that; the Ghanaian gospel music industry is thriving and houses so many great and anointed music ministers.
Some of the songs Ghanaian gospel singers have made a global impact. Taking the stage in many countries of the world and turning up as favourite gospel worship song.
As a West African nation, Ghana gospel is fast becoming a force to reckon with. Some of the world’s most wanted and most sorts after preachers are from Ghana.
Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music usually has dominant vocals (often with strong use of harmony) with Christian lyrics.
The fastest-growing musical expression in Ghana is the religious music that has come to be described as ‘gospel music‘. Especially since the late 1980s gospel music has assumed an increasingly prominent position in Ghanaian religious and social life.
Gospel music constituted about 75% of recorded musical works in Ghana in 1993, and in 2001 it was believed that about 90% of musicians were plying their trade in churches. This boom in gospel music coincided with the phenomenal spread of the charismatic movement.
Some of the songs are traditional western Christian hymns that are sung to new rhythm and tempo accompanied by guitar, drums and other instruments. It is, basically, the text that determines whether a particular song is ‘gospel’.
It is the Christian faith sung in the common style and idiom of the ordinary people; the music of faith set in the commonplace language of the people which does not require any effort to understand. It is Ghanaian Christians singing their faith with understanding.
Charismatic Christians themselves, especially the youth, divide gospel songs into two: praise songs and worship songs. What differentiates the two is the tempo.
‘Worship’ songs are slow and poignant and are usually accompanied by raising of hands and swaying the whole body forward and backwards while ‘praise’ songs are faster and are usually accompanied by dancing.
The same song can be either ‘Ghana gospel praise songs’ or ‘Ghana Gospel worship songs’, depending on the beat to which it is sung. In most cases, such classifications do not take into consideration whether the text of the song is actually about worship or praise.
A useful classification would be to distinguish between ‘Ghana spirituals’ or ‘shouts’ and ‘gospel highlife’. Ghana spirituals are songs that have emerged in the history of Christianity in Ghana, especially, at periods of renewal.
Most of those songs have been composed spontaneously.